When someone is dying or something is lost, we must
recognize that it is going, and recognize the value and beauty in that life. Notice
where the light lands on their bodies. Listen to the quiet.
My aunt is very sick, and I am at her house with my mom so that
she can say goodbye. It is strange to see my aunt’s delicate yellowed skin and
her limbs thin like a newborn bird. She makes quiet mumbling noises unless she
is excited. When she saw my mother’s face last night she called out in joy, but
the noise was so foreign, so different from the confidence and sass I’ve always
known. This woman was my mother’s protector when she was a little girl. It’s
hard to see the quiet pain in everyone. Our lives are sitting next to hers, it
is hard to know how loud we should talk or whether it’s okay to laugh. This is
a family designed to laugh with each other, so we keep trying. It makes me
think about immortality.
I was mildly obsessed with immortality as a graduate student.
I read furiously about the biological and anthropological reasons for romantic
love and attraction, about our senses, about reproductive habits of different
species, about DNA, survival of the fittest, dogs and cats living together, and
mass hysteria. (This world will miss you Harold Ramis!)
I eventually came to the conclusion that all humans are born
to seek immortality, to continue the world in our own vision, and to contribute
to that path forward. Most people do this through sexual reproduction, by
having children. Artists are able to do this in another way as well, through
the objects that we hope will outlive us. For a long time I was making work
specifically about my family because I find my family to have a fascinating and
complex story. It took me some time to realize that my work wasn’t much about
the personal, but more about how my family stories reflected more universal
stories. I’ve since been creating the artifacts of stories, and many of these
are about grief.
Grief is hard to understand without experience. It is easy
to push away. Grief is something you have to recognize to get through. We are
in a world of stories where the focus is on dangerous or horrifying events. The
real difficulty in these events doesn’t come from the event but from the
aftermath, the layers of pain that come in grief and dealing with regret. Grief is mysterious and temporal. Difficult
to let go of or hold on to. It is the sister of grace. I'm trying to let it come in, and to let it go.
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